The Commonwealth Government is preparing to launch a wide-ranging review of the Australian Content Standards. Even before the official announcement, the commercial broadcasters wasted no time making it clear that children’s television was their preferred target.
To the attendees of the Screen Forever panel: ‘Millennials – WTF do they want and HTF do we work with them?’ we offer a simple solution. Offer us a seat at the table, and we’ll be more than happy to break bread.
It’s National Children’s Week, a celebration of children’s rights, talents and citizenship. This year the Children’s Week Council has chosen Article 17 of the Convention on the Rights of the Child – children’s right to media – as its theme.
Watch Miranda Tapsell, Deborah Mailman and fellow cast talk about why it’s important to make a show like Little J and Big Cuz - that young indigenous kids can relate to - and how it might help close the education gap
The value in supporting Australia's film and television industry to provide programs for children is not simple industry protectionism – it is an investment in our culture, a statement about the type of country we want our children to grow up in and a means to inspire children to dream Australian dreams.
Often, while I was sitting at the front desk of the ACTF, actors, actresses, producers, directors, writers (some 'would bes' and others quite famous) would visit the office. It was equally awkward and exciting.
Academy Award winning actress Geena Davis delivered a powerful keynote at the KidScreen Summit about the need to improve gender balance, reduce stereotyping and create inspiring and identifiable female characters in children’s television.